Bravado accompaniment enhances the straightforward choral nature of this beloved hymn. The first two verses are set in stately fashion with the two following verses SA/optional congregation and TB/congregation respectively, set over a flowing, legato accompaniment. The interlude leading into the final stanza sets up a modulation and returns to the broadened statement of a new text featured in this hymnal: "To God all glory, praise and love." An optional three-part descant is set above the unison melody, and a grand choral coda with rich harmonizations concludes the setting.
Bravado accompaniment enhances the straightforward choral nature of this beloved hymn. The first two verses are set in stately fashion with the two following verses SA/optional congregation and TB/congregation respectively, set over a flowing, legato accompaniment. The interlude leading into the final stanza sets up a modulation and returns to the broadened statement of a new text featured in this hymnal: "To God all glory, praise and love." An optional three-part descant is set above the unison melody, and a grand choral coda with rich harmonizations concludes the setting.
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